Archive for April 11th, 2013

Windsor Comic Signing: Interview with Detective Comics artist Jason Fabok

Written by on Apr 11, 2013
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Jason Fabok is the current artist on Detective Comics. A Windsor native and graduate of St. Clair College, Fabok has also worked with David Finch on Batman: The Dark Knight and for Aspen Comics. Mr. Fabok was nice enough to speak with us.

TZ: How did you get your start in comics, Jason?

JB: I went to St. Clair College for animation program, and I knew I wanted to make a leap into comics when I was there but I didn’t think they had the proper training. I knew David Finch lived here in Windsor. So, I contacted him to see if he would teach me a few things, and that turned into about 6-8 months of lessons. From there, we created a portfolio, and he felt my work is strong enough. We sent it into DC, and I guess the rest is history.

TZ: What project at DC have you been most happy with?

JF: Right now, I am doing Detective, and I am really proud of that because it’s something I can really spread my wings on as the books progress and we do more stuff. John Layman’s been giving me more freedom with designs and my art. So, it’s fun to really express myself that way. One of the proudest things was working on Dave’s Dark Knight. To get to work on your mentor’s book really makes you feel like you’ve really made it.

TZ: You probably already had a fair amount of confidence going into it, I imagine.

JF: Yah but I had tight deadlines, and from that, I was offered a contract with DC, and it all came together from there

TZ: How did editorial approach you about doing annuals such as Justice League International and Batman?

JF: What happened was I signed a contract, and they didn’t have anything for me to work on right away. But, Mike Marts in the Batman office had faith in me that I would do a good job on those books, and I almost saw those books as a tryout. They had specific deadlines for me to get stuff done, and kind of tested me. I felt I proved I could do a monthly, and they gave me Detective right after that.

TZ: How was it like working with Scott Snyder?

JF: There’s a reason he’s one of the top writers at DC. He was very humbling, and wanted to work together as a team. He gave me a lot of freedom as well. I think when a writer has trust in you and allows you to express yourself artistically, that’s the best to work with. You seem to get a better product in the end.

TZ: How did they approach you afterwards to work on Detective?

JF: It was right after I had done the Batman annual, they had approached me if I wanted to do a big project. They said Detective but it was coming down the road. They gave me the JLI annual, and I wanted to get it done because I knew what was coming down the road. I felt honored that they had enough faith in me to give me one of their flagship books, and every month I think I am getting better and better. Right now, my confidence is up, and that’s all things you are looking for.

TZ: What was it like working with Dan and Geoff?

JF: It was different because they write very much in a Marvel style where it’s very little description of anything, and allows you to play around with the story. I find I like a little bit more of guidance in the way. But, it was cool because I got to try it, and see how I liked that style. It pushed me outside of my comfort zone so I had to think more visually about my storytelling.

TZ: What do you like about working with John Layman?

JF: We have a good rapport and good communication between each other. He asks me what I want to draw, and then he writes to my strengths. I think that’s why the book is working and selling. He knows I like big shots, big splashes and large artwork. You couldn’t ask for anything else, really.

TZ: What’s been your favorite villain to draw in the Bat universe?

JF: I’d have to say the Penguin which is a strange choice because he’s a goofy character. I’ve loved him since the old ‘60s television show, and he’s always been one of my favorites. It’s a fun character to draw, and I am trying to bring a bit more humanity to him. He’s definitely my favorite right now.

TZ: The main conflict in Detective right now has been between him and Oglivy. Is that going to reappear back in the books as a main conflict?

JF: He comes back big in issue 18, and Oglivy’s a lot of fun. I enjoy drawing that character, and fans seem to be connecting with him. When someone tries something different, people don’t like it at first but John slowly introduced that character throughout the different issues, and so he will becoming bigger and bigger.

TZ: What do you think Oswald’s feelings will be?

JF: That’s kind of the main plotline of issue 18. It’s kind of Penguin vs. Penguin. It’s a lot of fun, and one of my favorite issues to draw. Leading into 19 (900), and will be leading into the next issues.

TZ: Will Zsasz be appearing? I notice there are scratches and scars….

JF: He may be appearing.

TZ: What’s with the Man-Bats?

JF: At first, there wasn’t really any plan to do anything. They wanted the 900 to be a part of the story. I just finished drawing that issue, and it’s my favorite thing I have ever drawn. It is kind of that “go nuts on the art” book, and I am excited for people to read it.

TZ: It looks as if you are moving more towards scifi rather than the usual crime drama….

JF: It is but John’s done it so the story will have consequences in the next arc. He didn’t want it to feel like a total break in the story to throw you off.

TZ: What else do you have coming up?

JF: Finishing up Detective. Fan response has been pretty good so we are going to be moving into a next arc, and I am pretty excited to draw that.


Tommy Zimmer is an upcoming writer of short stories, comic books, journalism/media reviews, screenplays, and anything related to writing. On, you can view his latest work, and see what exciting things he is currently doing!!


Windsor Comics Signing: Interview with writer Tony Gray

Written by on Apr 11, 2013
Filed in: Zimmertainment  |  No Comments »












Tony Gray is the writer/artist behind Legacy Comic’s The Incredible Conduit. He is also the writer/artist behind white plastic and is a co-owner of the Windsor-based Legacy Comics. Mr. Gray was nice enough to speak with me back at the signing about his career and what’s coming up for him.

TZ: How did you get started in comics?

TG: I actually got started in comics watching the old Speed Racer cartoon as a kid. I started drawing, and drew a Donald Duck head. It looked like him, and everyone said it looked like him. My calling was found early. So, I started moving onto the superhero strips like Spiderman and the Spirit. I got involved, and my dad was a collector as a kid. It was part of our family thing where after hockey, my dad, my brother and I would head out to go to all the different convenience stores to find Spiderman at the lucky spot in town. When I look at every comic, I remember when we ended up at Kresge’s, and ate mashed potatoes and gravy.

TZ: What made you want to start Legacy?

TG: I was doing Saturday Afternoon, which was a daily and a Sunday strip. I also did a strip called Mick and Me. So, I pitched it to Marty Beneteau who was the editor of the Windsor Star, and I thought it would be cool to do a Windsor-based superhero like an old superhero strip. The company Legacy picked up the rights to publish the strips, and if they thought there was money to be made, I wanted a share. So, I bought part of Legacy Comics, and I am now part owner. I am doing The Conduit, White Plastic, The Feral Ones and Gray Matter.

TZ: How did you come up with the Conduit?

TG: I designed the character with the old Spiderman book. The costume was based around that look. His powers became based around the costume which I thought was really cool. It has like the Conduit symbol like an hourglass symbol which is a recycling of energy and power. The design of the costume sort of generated the power of the Conduit which is to absorb and generate energy whether it’s solar, hydro, electric, any kind….

TZ: How did you meet Mike Michalski?

TG: He was working at CTV, and he came up and covered a couple of the events I was at. I met him through that, and he’s a really talented writer full of great ideas. I was doing a storyline for Conduit #2 that took place at Chrysler, and one of his buddies was someone I sanctioned to draw by Chrysler. I actually used real people at Chrysler, and one of his friends said Mike Michalski’s a reader of your stuff. He and Al with the headphones were in it. They wanted to know the story ahead of time, and so they would take me out for free lunches.

TZ: What’s coming up next with The Conduit?

TG: At the end of issue #3, it becomes Tales of the Incredible Conduit. When I say an adult book, I don’t mean an adult book. It’s a more grown up book, and the art is more along the line of gray washes. He gets a new costume which amps up his powers, and he’s working with the government. It’s a lot bigger story than catching muggers.

TZ: It’s becoming more serious….

TG: It’s a bit more serious, and he’s a much more powerful character.

TZ: Was that because of the demographic switch?

TG: I was really surprised because I really just started The Conduit as a local lark, and it ended up where I was getting more and more mail. I thought I would listen to what the readers want, and they were asking to beef it up a little bit. Now, he’s like a hulking 6 foot 4 with powers ten times he had.


Tommy Zimmer is an upcoming writer of short stories, comic books, journalism/media reviews, screenplays, and anything related to writing. On, you can view his latest work, and see what exciting things he is currently doing!!

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