Archive for February 20th, 2012
StephenJondrew on Feb 20, 2012
Filed in: Comic Book News | No Comments »
Image Comics, The Comic Book Legal Defense Fund and iFanboy present the Image Expo Welcome Party A Benefit Party in Oakland, CA. Celebrating Comics, Music & Free Speech
BERKELEY, CA – February 20, 2012 –Experience Creativity with comics’ greatest creators at the Image Expo Welcome Party sponsored by Image Comics and iFanboy to benefit the Comic Book Legal Defense Fund! The party is free for CBLDF members and kicks off at 8 PM on February 24, 2012 at The Uptown in Oakland, California. This party jump starts a weekend of celebrating independent comics and free speech at the Image Expo, taking place at the Oakland Convention Center. Proceeds from the Image Expo Welcome Party will benefit the Comic Book Legal Defense Fund, who will have a gift bag for members and donors!
“The way Downtown Oakland has transformed itself over the last couple years is really inspiring, and I have a lot of admiration for all the people who made that happen,” said Image Comics publisher Eric Stephenson. “Being able to involve Image in an event that takes place within such a vibrant community feels really good.”
Many of the superstar creators appearing at the Image Expo will be in attendance for the Image Expo Party, including: Robert Kirkman, Brian K. Vaughan, Joe Casey, Jonathan Hickman, Erik Larsen, Jim McCann, Blair Butler, Rob Guillory, Fiona Staples, Tim Seeley, Sina Grace and Joe Keatinge.
CBLDF Executive Director Charles Brownstein said, “The Bay Area is an incredible creative place, and we’re thrilled to be working with Image and iFanboy to make this killer celebration of art and music that thanks our members for supporting our important work! I can’t wait to meet everyone who comes out!”
The party will also which will feature a musical performance by The Philistines, as well as music from DJs Dollar Bin and Wall Piece and some special celebrity guest DJs.
“We’re super excited to be teaming up with Image Comics and the CBLDF for this event,” said iFanboy co-founder Ron Richards. “There’s nothing better than celebrating comics and rocking out on the eve of a great convention like Image Expo!”
Full event details: The Image Expo Welcome Party WHEN: February 24, 2012 – Doors open at 8 PM WHERE: The Uptown – 1928 Telegraph Avenue Oakland, CA 94612 FREE FOR CBLDF MEMBERS SUGGESTED DONATION: $10/all others Proceeds will benefit the Comic Book Legal Defense Fund
StephenJondrew on Feb 20, 2012
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(Chicago, IL – February 21, 2012) Imagos Films announced today a new schedule for their online serial movie review show Medium Popcorn. Medium Popcorn follows four puppet characters lives, lunacy and laughs centering around their views on everything movie related. Fans of the show have become so addicted to the show to choose what to see in theaters, Imagos decided to give their audience a schedule that they could depend on.
The 2012 Medium Popcorn schedule is as follows:
Monday: Blips- Under 2 minute Reviews of movies that came out in the past week!
Wednesday: Tubs 5-7 Minute in depth reviews of movies old and new
Friday-Kernels Under 2 minute reviews of movies that are coming out this weekend!
Don Thacker Founder of Imagos Films explains, “Medium Popcorn is Penny Arcade for movies. Geekcentric, smart and funny, our fans know that we are an accessible hysterical resource for everything from what to see in theaters this weekend to a laugh to get through the day.” Full twelve minute narrative episodes will be releasing later this season. “Everyone has their favorite character and we are having a lot of fun building up the story on each one!”
Want to learn more about Medium Popcorn? Visit www.mediumpopcorn.com
StephenJondrew on Feb 20, 2012
Filed in: Archie Comics News | No Comments »
Read your ARCHIE COMICS on FACEBOOK via the GRAPHICLY COMICS APP
Already considered a leader in the realm of digital comics, as The Huffington Post reports, Archie has now taken it one step further by integrating digital comics directly onto the Archie Facebook page, giving over one hundred thousand fans access to Archie’s digital library via Graphicly. Archie CEO Jon Goldwater expounds on this new initiative with this, “We want Archie to be available to everyone everywhere. We want to create a one-stop shop — an Archie “superstore” that’ll serve everyone’s needs. That’s the goal. Digital is part of that over-arching plan.”
Whether it’s the Archie Meets KISS crossover or Kevin Keller’s wedding in Life with Archie, one word keeps coming up again and again to describe the current state of the decades old publisher – Progressive. Capitalizing on this perception, Archie continues to go where no comic book publisher has gone before; stretching the limits of what is possible in the digital market and making it easier than ever for fans to have access to Archie’s array of titles.
In terms of Facebook numbers, Archie is in league with the top publishers having the third highest fan base online overall illustrating Archie’s viral reach. This should see continued growth as digital sales continue to rise. Goldwater states, “Our Archie Comics app, which is powered by the team at iVerse, has been downloaded close to 4 million times, and our comics are routinely among the most downloaded titles.” To top it off, Archie will also launch the first-ever digital superhero universe with our Red Circle Comics app just to cover all bases. In addition, Robot 6 picked up on this major step in digital distribution.
JohnLees on Feb 20, 2012
Filed in: The Standard - Comic Book Column | No Comments »
Cesar Feliciano is the highly talented artist of The Red Ten. I had the pleasure of meeting him at New York Comic Con, and I have been really impressed by what I’ve seen of his work on The Red Ten #2. He’s an artist who’s continually upping his game, which is always exciting to see. Cesar posted some very kind comments about The Standard on his blog, and shared this wonderful piece of Standard fanart:
StevenForbes on Feb 20, 2012
Filed in: Bolts & Nuts (Syndicated Column) | No Comments »
Yes, okay, I’m in a Freddy Krueger state of mind. I need to watch Nightmare on Elm St 3: Dream Warriors again. Yes, all the movies are bad after the second one, but you have to admit that Freddy was funny.
Anyway, it’s Tuesday, and that means it’s time for Bolts Nuts! This week, I’m going to talk about growing a thicker skin. You’re going to need it, let me tell you.
What does growing a thick skin mean? It means not letting things get to you. It means not going off on tirades when things don’t go your way. It means never letting them see you sweat.
Let’s say you’re an artist, and you hand your portfolio over to an editor that you’ve been standing in line for hours to see, in hopes of getting a job. You hand it over, and the editor tells you that you need to work on anatomy, perspective, and storytelling, and that you shouldn’t ink yourself because you’re destroying your pencils.
You, however, are Graeme McFreelancer, and instead of taking the advice, saying thank you, and walking away, you get all butt-hurt, and throw a little tantrum, making sure your name is remembered in a bad way, and ensuring you won’t get a job anytime soon.
Or, you’re writer Kletus Jerkovitch, and you manage to get a first issue of Pen-Man into the hands of an editor, who promises to read it and get back to you. The editor does, and tells you that you need to work on characterization, dialogue, storyarc, pacing, and making sure the story makes sense.
Instead of saying thank you and working harder at getting better, Kletus gets butt-hurt and sandy as well, also being remembered for the wrong things.
Don’t do this. Don’t do it. Learn to say “thank you,” and even if you aren’t, at least sound sincere when you say it, and then leave it be. Don’t take to the internet in any capacity to show just how raw your butt is. Don’t. It will only succeed in making you look bad, and then you won’t get the work you’re looking for.
You need to get a thick skin.
A couple of years ago, I was on Digital Webbing. The Writer’s Showcase was dead, so I thought I’d liven it up some with a couple of pitches I had sent to my editor. I was unable to sell the pitches, not because they weren’t good, but because the editor was having a hard time placing books in the trade book market. One was a romance, and another was something in the horror vein.
The posters at DW ripped the pitches to shreds. Part of it was misunderstanding the market that the pitches were for, but most of it was in retaliation against me for being “mean” to writers who posted their scripts.
Know what I did? I said thank you. I attempted to explain, but they weren’t hearing it. They wanted what they wanted, and that was that. Did I get upset? Sure did. Did I let them see me sweat? Sure didn’t. I said thank you for your thoughts and your criticisms, and I kept it moving. I didn’t try to defend, I didn’t try to retaliate. I kept it moving.
This is the information age, folks. The internet age. Once you put something online, it’s there forever. You can try to delete it, but more than likely there’s an archive of it somewhere. Once you put it online, you’re stuck with it. Forever.
Here’s what’s going on, folks. You’re in a competition, whether you know it or not. You’re in a competition with everyone else who wants to break into comics, as well as those who are already in and are making them. If you’re trying to get work at Marvel or DC, then you have to be a cut above the rest, and even then, you have to elbow your way in. I personally know a guy who has a check from Marvel for a short story he wrote. He made it to The Show. And you know what? No one’s calling him back to continue making comics fro them. Instead of getting pissed off and taking to social media and airing out the fact that he can’t break the barrier again, he’s out there getting his hustle on. Butt-hurt and sandy? Not where the public can see it.
Why is it a competition for those jobs? Because the jobs are extremely finite. Literally, Marvel and DC could employ twenty writers between them, and have both of their universes covered. That’s ten apiece. Obviously they hire more than that, but they don’t need to if they don’t want to. Ten apiece. And what are the odds of you making it into that extremely rarified air? [Artists, you’re a little different. Gone are the days when an artist could handle two books a month. Most can barely handle one. The reason for that is because the art is more complex to create. That takes time. Most of today’s artists can barely hold a monthly schedule. That’s why some titles have a rotating team of artists that work on storyarcs.]
So, if you’re in competition for the jobs, what makes you think an editor is going to hire you if you’re thin skinned? You may be talented, but when the first internet poster blasts you for incorrect characterization, or what they think is bad storytelling, you’ll fly off the handle, responding from a very unstable, emotional place, instead of waiting and thinking it through.
If you’re on someone’s radar, they’re going to be checking you out: your blog, whatever social media you’re on [Twitter, Facebook], and possibly even the forums you frequent. Editors want to get a sense of who you are and what you’re like. If you’re thin skinned and blasting everyone who’s trying to be helpful, then you’re going to be slow in your development. Being thin skinned is a headache editors don’t need. They have too many other things on their plate to deal with you and your attitude.
Grow a thicker skin. Learn to say thank you, be sincere with it, and keep it moving. I know it hurts, and I know you think you’re just as good as anyone on the shelves now, and better than some. You may even be right about it. It doesn’t give you the “right” to go anywhere people will listen and talk about how wrong someone is for not recognizing your genius. Remember, you went there with your hat in your hand, looking for a job. They have the ability to give you the job, or to give it to someone else. If they see you’re easily hurt, then you’re more than likely not going to get the job.
Grow a thick skin.
Homework? None. Enjoy the break. See you in seven.